All We Imagine as Light is a 2024 drama that tells the story of two Malayali nurses, Prabha and Anu, navigating the struggles of life in Mumbai. Prabha, dutiful and reserved, yearns for her husband, who has migrated to Germany, while Anu, her free-spirited roommate, is entangled in a secret affair with Shiaz, a Muslim man. Together, they support their friend Parvaty, a widow battling to keep her home against developers. As the characters confront societal and personal obstacles, they’re pushed toward new perspectives on identity, love, and solidarity. Directed by Payal Kapadia, the film captures Mumbai’s vibrancy and challenges, exploring themes of resilience, cultural tensions, and urban displacement. Premiering at the Cannes Film Festival, where it won the Grand Prix, All We Imagine as Light has resonated globally for its heartfelt, visually stunning portrayal of human connection amidst turmoil.
All We Imagine as Light is a 2024 drama film that’s capturing the world’s attention, marking a significant milestone for Indian cinema on the global stage. Directed by Payal Kapadia, this thought-provoking film debuted at the 77th Cannes Film Festival, where it received an eight-minute standing ovation and went on to win the prestigious Grand Prix. It’s the first Indian film to compete in Cannes’ main competition in nearly three decades, and Kapadia is the first Indian female director to achieve this feat. The film stars Kani Kusruti, Divya Prabha, Chhaya Kadam, and Hridhu Haroon, with a production involving collaborations from India, France, the Netherlands, Luxembourg, and Italy.
The film explores the lives of Prabha and Anu, two Malayali nurses working in Mumbai, navigating love, friendship, and complex social realities. Prabha, the reserved and committed wife, longs for her absent husband, while Anu, her more free-spirited roommate, finds herself entangled in a hidden romance with Shiaz, a Muslim man. Their journey intersects with Parvaty, a widow facing forced eviction, as they band together to confront social injustices and cultural expectations. Through these characters, Kapadia illustrates the intersection of personal and political struggles in Mumbai’s ever-evolving landscape.
Kapadia’s storytelling does more than portray the lives of her characters; it captures Mumbai in all its dynamic, chaotic beauty. With its neon-lit streets, bustling neighborhoods, and the inherent social conflicts of the city, Kapadia’s direction channels a sense of urgency and empathy. Inspired by her love for Wong Kar-wai’s films, she aimed to create a deeply immersive experience, bringing Mumbai to life as both setting and character.
The story draws from her encounters with Malayali nurses and blends dreamlike imagery with real-world struggles, demonstrating how fleeting happiness and moments of connection anchor her characters amidst Mumbai’s unpredictability. Kapadia uses Malayalam as a primary language to showcase the linguistic and cultural diversity faced by outsiders in urban India, adding depth and realism to her characters’ journeys.
The film’s success at Cannes was only the beginning. With screenings at the Toronto International Film Festival and the MAMI Mumbai Film Festival, All We Imagine as Light has received universal acclaim. Critics praised it for its humanistic portrayal of life’s everyday battles, with The Guardian’s Peter Bradshaw describing it as an “absorbing story full of humanity.” It currently holds a remarkable 100% rating on Rotten Tomatoes and a score of 93 on Metacritic, reflecting its status as a critical darling.
Despite the film’s initial Oscar buzz, it wasn’t selected as the official submission for either India or France. However, with its Grand Prix win and significant attention from global festivals, All We Imagine as Light remains a strong contender for international recognition and could potentially find its way to awards season through other categories.
Kapadia’s journey to bring this story to the screen reflects her unique vision and determination. From navigating language barriers to capturing Mumbai’s contrasting energies, she demonstrates a deep commitment to authenticity. She spent years conceptualizing this film, pulling from her background in documentary filmmaking, and integrating the struggles and aspirations of women in Mumbai.
For Kapadia, All We Imagine as Light is both a personal and political statement. She captures the fragility and strength of women living in a city that’s perpetually in flux, exploring themes of migration, religious tension, and socio-economic disparity. The film’s title, drawn from a painting by Kapadia’s mother, evokes the idea of resilience and possibility, a concept mirrored in the lead character Prabha’s name, which means “light” in Malayalam.
Since its premiere, All We Imagine as Light has expanded to audiences worldwide, with distribution rights acquired by Janus Films for North America. Following its limited theatrical release in Kerala under the title Prabhayay Ninachathellam, the film will continue to reach audiences across India and internationally. The film’s release has also coincided with an Oscar-qualifying run, fueling interest from a global viewership eager to experience this powerful piece of cinema.
All We Imagine as Light is not just a movie; it’s a testament to the transformative power of storytelling and Kapadia’s artistic vision. For those who appreciate cinema that merges personal narratives with broader societal themes, this film is a must-watch. As it continues to garner awards and critical acclaim, Kapadia’s debut is already being heralded as one of the standout films of 2024.
Stay tuned to see how this unique film continues to shine on the world stage, proving that in the world of cinema, light can indeed be imagined in countless ways.